THE “DOROTHY” GREENLIT CREATIVE TEAM
A TKP Studios Original Series – Writer’s Room & Creative Leads
Welcome to the official creative roster for Dorothy — a grounded, psychological, true-crime drama based on real events.
The team below represents the writers and specialists who have formally accepted their positions and returned the required agreements.
⭐ HEAD WRITING & STORY LEADERSHIP TEAM
Mina Dahl — Head Writer (Trauma, Female-Centered Drama & Psychological Depth)
Email: mina***30@gmail.com
MFA in Creative Writing (Cambridge). Specializes in psychologically complex female leads, trauma-informed storytelling, and dark emotional arcs. Her writing blends character depth with cinematic tension, making her a core creative guide in shaping the emotional backbone of Dorothy.
Kathleen Marple Kalb — Head Writer (Crime, Structure & Narrative Cohesion)
Email: k.***********@gmail.com
Kathleen is an award-winning mystery novelist, longtime newsroom writer, and an exceptional structural thinker with decades of experience synthesizing dark subject matter into emotionally truthful storytelling. She brings leadership, clarity, and professionalism to the writer’s room.
Dea Divi — Head Writer (Screenwriting Craft, Script Systems & Story Development)
Email: magicbloom*************@gmail.com
Dea holds an MFA in Screenwriting, is a Sundance Labs alum, and has worked professionally as a script reader, consulting writer, and story developer for television. She specializes in character arcs, rewriting, structural buildup, and transforming raw material into polished, film-ready scripts.
🧠 SPECIAL DEPARTMENT LEAD
Dr. Mark DeNoble — Head of Psychology & Trauma Realism
Email: mark****@gmail.com
A licensed psychotherapist with deep expertise in trauma, survivor psychology, crisis behavior, and community-level system dynamics.
Dr. Mark ensures the emotional, behavioral, and psychological elements of Dorothy remain grounded, accurate, and respectful to real survivors.
✍️ CORE STAFF WRITERS — Main Writing Room
These writers attend scheduled meetings, help break episodes, draft scenes, participate in revisions, and shape character and world-building.
Carmela Cua — Staff Writer (TV Craft, Pilots, Structural Revisions)
Email: carmela****@gmail.com
A trained showrunning-track writer with strong command of episodic structure, outlining, and polish.
Pleas “Plez” Honeywood — Staff Writer (Sociopolitical Crime & Systemic Worlds)
Email: honeywood******@gmail.com
Excellent at world-building rooted in corruption, power dynamics, and real-world crime systems.
Ilyas Merza — Staff Writer (Emotionality, Character Voice, Atmosphere)
Email: ilyasmerza***@gmail.com
Specializes in heavy emotional beats, atmospheric writing, and character-driven scenes.
Garrett McGee — Staff Writer (Dark Drama, Abuse Cycles, Human Complications)
Email: mcgeegarr****@gmail.com
Strong with trauma-based storylines, interpersonal tension, and psychological nuance.
Cameran Small — Staff Writer (Young POV, Revisions, Dialogue Polish)
Email: cameran*****@gmail.com
Offers fresh perspective, clean rewrites, and strong collaborative energy.
✒️ CONTRIBUTING WRITERS — Rotational Support Team
These writers assist with scenes, research packets, documents, episode polish, and creative brainstorming.
Lauren Weiner — Contributing Writer
Email: law50****@gmail.com
Strengths: clean fundamentals, articulate prose, solid narrative flow.
Vintage Tivis — Contributing Writer
Email: vinnyt****@gmail.com
Strengths: mystery/supernatural flavor, emotional darkness, character depth.
🎵 MUSIC DEPARTMENT
Mark Amigoni — Lead Music Composer & Songwriter
Email: amigoni****@gmail.com
Responsible for the musical identity of Dorothy, including themes, emotional cues, tension motifs, and combining original compositions with curated era-accurate tracks (1970s–1990s).
Tracks such as “Never Letting Go” and “Breaking Chains” will be developed into signature emotional moments within the series.
🎬 CURRENT PRODUCTION STATUS
✔ All positions currently listed have accepted
✔ Writers who appear above have signed their paperwork or are in final submission
✔ More creatives may be added as casting and production departments expand
